
Evan Schiff
Editing
Originally from Syracuse, NY, Evan Schiff started his career in the film industry at the age of 16, between his junior and senior years of high school, with an internship at Legacy EFX (formerly Stan Winston Studio). After graduating from high school and being accepted into USC's film production program, SWS hired Schiff back to do tech support as their systems administrator. He worked there part-time for all four years of college and full-time for one year after, in the process helping to set up their visual effects department, SW Digital, as well as giving a hand anywhere he could. It's a place where you can wear as many hats as you want to fit on your head, and one of Schiff's favourite "not in my job description" tasks he volunteered for was to help solder multicolour LEDs into and then assemble a robot head for A.I. - Artificial Intelligence. During college, though, Schiff got bit by the editing bug. He found that, even more than creature or visual effects, Schiff loved sitting in the editing bay for hours on end putting his student films together. So a year after college, and five years after starting his job at Stan Winston's, Schiff left to pursue editing full-time. It was slow at first, but through some family connections, friends he made at SWS, and a bit of luck, Schiff got his first few jobs as an assistant editor, and things have taken off from there. Information above via their homepage.
Acting
Crew

Frankenstein
Editor

The Marvels
Editor

Bullet Train
Additional Editing

Nobody
Editor

Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)
Editor

John Wick: Chapter 3 - Parabellum
Editor

Proud Mary
Editor

Revolt
Editor

John Wick: Chapter 2
Editor

Southside with You
Editor

Happy Birthday
Editor

Everly
Editor

The Time Being
Editor

Battle: Los Angeles
Visual Effects Editor

Peep World
Editor

Rambo
Assistant Editor
The Melody Echoes the Fairy Tale
Editor

The Power of Myth
Editor

Pan and the Fairies
Editor

The Color and the Shape
Editor
