
Michel Auder
Directing
Michel Auder’s films, which span in length from five minutes to multiple hours, are all edited from the thousands of hours of footage the artist has casually shot throughout his life. Early on, Auder made a habit of carrying portable video-recording equipment on a daily basis, and so amassed a biographical reel that frequently captured his fellow artists in the New York art scene, including such personalities as Cindy Sherman, Larry Rivers, and, most famously, Alice Neel. Auder did not consider his practice to be factually driven, however: “It was not in any way a documentary, not to be related as truth. This work reflects my own feelings.” Auder’s approach to filming was largely inspired by Andy Warhol’s screen tests, and the experimental films of exponents of the French New Wave like Jean-Luc Godard.
Acting

Fictional Art Film
Director

The Feature
Apocalypse Later - Hudson
Bitte Danke

Birth of a Nation
Self
My Last Bag of Heroin (For Real)
Chronicles: Morocco

Langlois
Self

The Stone Age

Fun and Games for Everyone

Home Movie : Marrakech
Chromo sud
Homeo
Self
Crew

Fictional Art Film
Director
High Life
Director
The Course of Empire
Director
Gulf War TV War
Director
Phone content HQ6s02 BERLIN CAMERAROLL
Director

1967
Director
Daytime Version of the Night
Director

Untitled (I Was Looking Back To See If You Were Looking Back At Me To See Me Looking Back At You)
Director
Endless Column
Director

Narcolepsy
Director
Blind Sex
Director
Confession
Director
Heads in Love
Director
Shoppingheads
Director

Alice Neel Paints Margaret
Director

The Feature
Director

The Feature
Writer

The Feature
Cinematography
Chelsea, Manhattan - NYC
Director
It's Hard to Be Down When You're Up
Director