
George Albert Smith
Directing
Born 1864-01-04 · Brighton, East Sussex, England, UK · Died 1959-05-17
Along with his better-known French counterpart Georges Méliès, George Albert Smith, usually credited as G.A. Smith, was one of the first filmmakers to explore fictional and fantastic themes, often using surprisingly sophisticated special effects. His background was ideal – an established portrait photographer, he also had a long-standing interest in show business, running a tourist attraction in his native Brighton featuring a fortune teller. His films were among the first to feature such innovations as superimposition (Smith patented a double-exposure system in 1897), close-ups and scene transitions involving wipes and focus pulls. He also patented Kinemacolor – the world's first commercial cinema color system--in 1906, which was extremely successful for a time, despite the special equipment required to project it
Acting
Crew

Early British Films from the Filmoteca de Catalunya 1897-1909
Director

Animated Doll and Toy Town Circus
Director
Choice Bouquets
Director
Fording the River
Director
Choosing the Wallpaper
Director
A Visit to the Seaside
Producer
A Visit to the Seaside
Director
Woman Draped in Patterned Handkerchiefs
Director

Tartans of Scottish Clans
Director

Two Clowns
Director

Sir Hiram Maxim's Captive Flying Machines
Director

Venice and the Grand Canal
Director
Grand Display of Brock's Fireworks at the Crystal Palace
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The Sick Kitten
Director
Dorothy's Dream
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Mary Jane's Mishap
Director

Mary Jane's Mishap
Producer

Old London Street Scenes
Director

Mother Goose Nursery Rhymes
Director

Mother Goose Nursery Rhymes
Producer
